Titled after his first art installation in 1969, Das Rudel, eng. the Wolfpack, the collection explores the intersection of fashion and art through an examination of the wardrobe and artistic archive of German artist Joseph Heinrich Beuys.
Beuys’s experiences during the Second World War undoubtedly influenced his artistic endeavors. Legend has it that Beuys, serving as a Stuka pilot, survived being shot down over Crimea with the assistance of a tribe of nomadic Tatars. To endure the harsh winter conditions, they applied fat to his skin and enveloped him in felt. This narrative deeply impacted Beuys and is reflected in many of his renowned artworks, which prominently feature fat and felt.
Central to Beuys’s artistic philosophy was the concept of social sculpture, which posited that art possesses the power to enact societal transformation and foster social change. He fervently believed that every individual harbors artistic potential and advocated for the integration of creativity into all aspects of life.Beuys’s belief in the democratization of creativity and the transformative agency of art underscored his work, which often challenged conventional artistic and societal norms. Through his art, he sought to inspire people to engage critically with their environment and actively participate in shaping a more just and compassionate society.
Drawing inspiration from Joseph Beuys’s iconic attire, characterized by a hat, fisherman’s vest, white shirt, and blue jeans, the collection seamlessly integrates utilitarian elements. These include various pockets featuring velcro, snap, and zip closures, alongside D-rings, buckles, and harnesses, enhancing functionality and practicality. The garments are further emphasized with quilting and bias tape detailing, emphasizing both form and function. Extensive research into Beuys’s wardrobe informs the collection, which extends beyond his uniform to encompass fitted T-shirts, high-waisted straight jeans, oversized tailored jackets and trousers, knitted sweater vests, military backpacks, fur coats, and great coats. Each piece reflects Beuys’s distinct style while accommodating contemporary sensibilities. Moreover, the collection delves into Beuys’s graphic work through the use of screenprinting, offering a nuanced exploration of his rich symbolism and typography. This addition enriches the collection, providing a deeper connection to Beuys’s artistic legacy and ethos.
Access to full thesis portfolio here:
https://freight.cargo.site/m/W1837292722346618699056146571508/Thesis-Portfolio---Ho-Tin-Albert-Chan.pdf
Ho Tin Albert Chan, originally from Hong Kong, moved to Germany at the age of four. He attended the Cecilien-Gymnasium in Düsseldorf, with a bilingual program, while participating in various pre-college programs majoring in art and design in the US. Beyond academics, he embraced various artistic pursuits, from music to martial arts. His journey in art started with sketching as a child, progressing to painting, advanced drawing, and eventually exploring 3D art and sculpturing. His interest in fashion design deepened and was sparked during pre-college programs, becoming a lasting passion. Despite pursuing a career as a menswear designer, Albert remains open to new inspirations, continuously seeking personal and artistic growth.