Drawing inspiration from Beuys's iconic uniform consisting of a hat, fisherman's vest, white shirt, and blue jeans, the collection integrates utilitarian elements such as various pockets with velcro, snap, and zip closures, as well as D-rings, buckles, and harnesses. These features are complemented by quilting and bias tape detailing across all garments, emphasizing functionality and practicality.
In addition to Beuys's uniform, the collection explores a broader range of garments present in his wardrobe. This includes fitted T-shirts, high-waisted straight jeans, oversized tailored jackets and trousers, knitted sweater vests, military rucksacks, fur coats, and great coats. Furthermore, the collection delves into Beuys's graphic work, examining prints and fabric manipulation techniques that reflect his rich symbolism and typography.
Through the collection, the aim is to contribute to the discourse surrounding fashion as art by highlighting Beuys's influence on clothing design and his use of attire as a form of artistic expression.
The vision to create a leather jacket collection was dominated by Rei Kawakubo's Comme des Garçons Spring 2005 Ready-to-Wear collection, frequently referred to as “Motorbike Ballerina.” Regardless, Cristóbal Balenciaga's emphasis on comfort and flexibility, as well as his preference for an abstract silhouette, were not overlooked.
Aside from the evident choice of black denim to mimic leather, the utilization of padding and elastic plays a significant role in the development of volumes and movement within the final garment. The inclusion of pockets, zippers, and belts enhances the piece's timeliness. Since the garment is black, there is no dramatic clash of colors, redirecting the viewer's attention to the abstracted silhouette.
The title of the collection was inspired by a study into the history of the leather jacket. For the longest time, the leather jacket has been a symbol of anarchy, rebellion, and uprising. I found a way to manage this established chaos by deconstructing this symbol, thus the title “Controlled Chaos.”
Ho Tin Albert Chan, originally from Hong Kong, moved to Germany at the age of four. He attended the Cecilien-Gymnasium in Düsseldorf, with a bilingual program, while participating in various pre-college programs majoring in art and design in the US. Beyond academics, he embraced various artistic pursuits, from music to martial arts. His journey in art started with sketching as a child, progressing to painting, advanced drawing, and eventually exploring 3D art and sculpturing. His interest in fashion design deepened and was sparked during pre-college programs, becoming a lasting passion. Despite pursuing a career as a menswear designer, Albert remains open to new inspirations, continuously seeking personal and artistic growth.